
Jacob's Work

Font Ideas
I think these fonts suit our genre. The last one especially, is hard for people to read and if they look at it for too long it confuses their eyes and our genre aims to mess with peoples heads. They are all linked to computers and technology with the strong lines, but also different in some way, such as the third one being fractured
My Digipak
Digipak covers
Big Beat Poster 2010
Location Research
These pictures would be imported to the green screen, possibly on a slideshow while the performers lip sync in front.
Song Details

Images
Big Beat

Big Beat
Last Lesson

Our Final Cut Lesson
Photo/Shop Analysis

Original Image 1 - This photo is a midshot eye level shot of Jacob to give the audience a personal effect that makes them feel as though they are standing with him. The pose Jacob is in connotes a pop artist; however, the clothing, being black, with the green bush shows more elements of "Drum n Bass".
Original Image 2 -We used the white background in this image so it would be easier to crop us out and put us on a different background in Photoshop. We used a long shot to show all 3 of us and the keyboard and mixer. The clothing suits the "Drum n Bass" genre as it is dark. Covering our eyes with our long hair shows a
Alternative Video Analysis
Cee Lo Green
- Shows a narrative in segments of the characters life.
- Set in four main locations.
- Lip sync throughout, even from people playing the character, as well as the singer.
- Good use of colours and effects. Helps the audience see who the main character is whenever the scenery changes.
- Clear theme throughout the video of a man’s story and love life.
- Lots of mid-shots to show action as well as lip syncing.
- Eye contact with audience apart from when he is wearing sunglasses.
- The singer is dressed to how the character should dress instead of seperate from the video.
JANELLE MONAE - COLD WAR
· Close-up to clearly show lip syncing and facial expressions to help convey strong emotions.
· Black background to emphasise the singer.
· Very strong eye contact with minimal blinking. Moves head but still retains eye contact.
· Screen fades in and out focus in time with the music.
· She fluffs a line, shakes her head with frustration, and a single tear rolls down. The lip-sync illusion is shattered.
· Camera is held freehand throughout.
Song Details
Roles
James - James will also help film and make sure the frame on camera resembles the storyboard as closely as posible. He will be in charge of editing and will help gather props. He will be in charge of bringing Jacob's designs to phtoshop.
Jacob - Jacob will also help film and edit. He will be in charge of designing our album cover and magazine advert. He will be in charge of Storyboarding and framing shots. He will be in charge of where in the location that he wants us to film.
Lauren - Lauren doesn't do media; however she has agreed to be in our music video and perform.
Initial Ideas


Audience Analysis Evaluation
From our results, we have decided to aim our music video towards White British males around the age of 16-20. Our music video will mainly be narrative with cuts to performance. We will make sure our video is child friendly so music channels are able to broadcast it at appropriate times such as when our age range gets home from school/college/work. When advertising our music video, we will emphasise the ability to buy online and download it as few people in our questionnaire go to shops to buy music. Drum & Bass was the favourite genre of the people we questionned, so our song and video will be Drum & Bass.
CD Analysis - Jacob Roots'

There are many different energetic lines and designs coming from the CD cover. It has very vivid colours and the energy relates to the style and the speed of drum and bass music.
There is slight humour in the top right text showing that this music is top. There are many volume speaker symbols with the volume up which shows that the music is loud and in your face all the time. On many drum and bass CD covers, there are interesting graphics showing the energy of the music.
Ram Records
Ram Records is an English drum and bass record label founded by Andy C and Shimon in 1992.
The progressive off-shoot of Drum and Bass began to emerge and the Ram Trilogy pioneered a new sound changing the direction of the scene once again.
Ram Records is arguably the biggest and best drum & bass label of all time. Their residency at The End is more than just an institution; it defines drum & bass clubbing!
Andy C seems to be one of their more popular artists and he also founded Ram Records with Anthony Miles.
Andy Clarke began experimenting with programming breaks as a teenager; he met Ant Miles at the studios where he was working through a family connection. They began working together in Ant's converted garage studio where Andy nurtured what was to become a sublime talent for chopping up and re-programming breaks. Andy then decided to set up his own label in early 1992 with a budget of £1000. RAM - so named due to Andy's star sign, Aries - launched with his solo debut and now-highly-collectable 'Sour Mash EP'.
Drum and Bass as a whole is dominated by a small group of "hardcore" record labels. These are run mainly by some of the scene's most prominent DJ–producers, such as Roni Size's Full Cycle Records, London Elektricity's Hospital Records, Andy C’s Ram, Goldie’s Metalheadz, Dj Fresh’s Breakbeat Kaos and DJ Hype, Pascal and DJ Zinc’s True Playaz
Drum n Bass Conventions
- Make-up on males.
- Heavy movements.
- Piercings.
- Dark lighting, low key.
- Performance.
- Flashing coloured lights.
- Fast cuts.
- Black and white.
- Longshots to show movements.
- Lip syncing.
- Contrasting colours.
- Dark.
- Flashing colours.
- Animation.
- Fast cuts.
- Longshots to show movements.
- Lots of motion.
- Changing background.
- Performance.
- Abstract.
Low Budget music Video's
Fig Rig: made by Mike Figgis
- Cheaper way of keeping camera steady.
- Small, Comfortable.
- Good for tracking or craning, crab.
Lighting:
- Torches; good for low key.
- Sun; high key.
- White board, sheet; tinfoil on board.
- Desk lamp.
Mise en Scene:
- Framing shot.
- Leave unwanted background out.
- Green screen.
- Outside school.
Slo-mo:
- Can walk in slow motion but lip sync in time.
- Need a sped up track.
- Lip sync the sped up track while walking normally; then slow it down.
Theories - Bordwell and Thompson
- Based on Mise en Scene.
- Thinking about the pictorial qualities within a video.
Patterns, light and dark, colour similarities and differences.
Can be used to create 'smooth continuity' or abrupt contrast.
Graphics match; shots link together by graphic similarities.
e.g. Psycho; in the shower, cuts from plug hole to eye.
Graphic continuity; point of interest remaining constant throughout cuts, maintaining a colour theme, same lighting levels, avoiding strong colour clashes.
Graphic discontinuing; opposite to above.
Rhythmic:
Editing the footage and thinking about the duration of each shot.
Rhythmic editing will show that each shot runs on length according to the beat and tempo of the music.
Different shots will give you difference effects;
- All shots the same length; steady metrical beat.
- Shots get shorter and shorter; tension.
- Longer shots; calm.
- Shorter shots; chaos.
- Spatial:
Basically; maintaining continuity through thinking about the space where the events of the music video takes place.
Continuity - using an establishing shot to show viewers where the event is taking place; followed by midshots.
The 'Kuleshot Effect' - no establishing shot; but still giving the audience the impression that everything is taking place in one location. We see portions of the shot and we fill in the rest. There's a relationship between the different shots. This is called a 'connection relationship'.
Cross cutting - 2 things happening at the same time in 2 different places; cuts between.
- Temporal; continuity.
Based on the time frame that the action is taking place; and how the footage manipulates time.
Order - The order of events can be manipulated, eg flashbacks.
Duration - The events that take place in the story can be altered through use of ellipses.
Screen time less than reality.
- Frequency; in continuity editing; and event happening lends to only occur once. If the event is repeated it can become a powerful way of building tension and audience expectation.
Theories - Andrew Goodwin


Analysis of Guns n Roses - Sweet Child O Mine
Analysis of Alicia Keys - Try Sleeping with a Broken Heart






















